Mortal Follies

Fresh and delightful... All the interpersonal drama of Jane Austen meets all the complex treachery of Greek mythology.

1. MORTAL FOLLIES by Alexis Hall

SYNOPSIS

It is the year 1814, and life for a young lady of good breeding has many difficulties. There are balls to attend, fashions to follow, marriages to consider, and, of course, the tiny complication of existing in a world swarming with fairy spirits, interfering deities, and actual straight-up sorcerers.

Miss Maelys Mitchelmore finds her entry into high society hindered by an irritating curse. It begins innocuously enough with her dress slowly unmaking itself over the course of an evening at a high-profile ball, a scandal she narrowly manages to escape.

However, as the curse progresses to more fatal proportions, Miss Mitchelmore must seek out aid, even if that means mixing with undesirable company. And there are few less desirable than Lady Georgiana Landrake—a brooding, alluring young woman sardonically nicknamed ‘the Duke of Annadale’—who may or may not have murdered her own father and brothers to inherit their fortune. If one is to believe the gossip, she might be some kind of malign enchantress. Then again, a malign enchantress might be exactly what Miss Mitchelmore needs.

With the Duke’s help, Miss Mitchelmore delves into a world of angry gods and vindictive magic, keen to unmask the perpetrator of these otherworldly attacks. But Miss Mitchelmore’s reputation is not the only thing at risk in spending time with her new ally. For the reputed witch has her own secrets that may prove dangerous to Miss Mitchelmore’s heart—not to mention her life.

2. CONFOUNDING OATHS by Alexis Hall

SYNOPSIS

The year is 1815, and Mr. John Caesar is determined to orchestrate a successful coming-out for his younger sister, Mary. Despite his best efforts, he is thwarted by the various interventions of a ragtag regiment of soldiers, a mysterious military cult, and a malicious fairy godmother.

When Mary is cursed by the fair folk, the dandyish Mr. Caesar is forced to work with the stolidly working-class—yet inescapably heroic—Captain James to rescue her. While Mr. Caesar is no stranger to dallying with soldiers, until now he’s never expected one to stay. Or wanted one to. But even if the captain felt the same, there’d be no chance of anything lasting between them. After all, he and Mr. Caesar come from different worlds. And lately, other worlds are the last thing either of them want to be dealing with…